You are welcome, please make yourself comfortable, the drink on the table is for you. Let me play you some tracks, yes? I trust there will be a song or two, a beat or 3, a phrase or word that will trigger something fantastic in you.
Thanks for visiting!
Johnny and the Big Prairie Fire
by The Assholes (1979-2012)
Titicacaman Records CAT#05
"Imagine finding a box of childhood things in the attic, all dusty and forlorn. Then discovering that, despite your intention to sift through everything expecting to find nothing which shouldn't be thrown out, every item is a rediscovered treasure, and all you have to throw out is the years between their sentence to 'The Box' and their liberation to a second life. That's what this feels like - in more ways than one....."
Antony Burnham (Metamorphic Journeyman)
Marcelo Radulovich: various instruments
Joel Smith: various instruments
Chris Stephens: various instruments
Christian Sondergard: various instruments
Nicey Nice World
by Nicey Nice World (2011)
Titicacaman Records CAT#04
Egad! These many months we have labored, a frolicsome labor to be sure, but, now it is ready. Nicey Nice World presents an album of songs, a goodly collection of polite tunes... genteel, but without treacle. We hold the door open and roll out a red carpet to a nicey nice world, a couth and mannerly world, in which is nonetheless witnessed the awesome destructive power of the super magic fire and is playfully populated by such otherly characters as Dracula, Marcel Duchamp, the Wiggins Sisters... and we three. We offer delectations delineated with cello and theremin, organ and voice, improbable electrics, toys and iPhoneŽ apps, humbly hoping to amuse you and induce you to slip with us for a few moments into a forest of forgetfulness, well past grandmother's house, as we sport with noise in antic flirtation. Welcome to Nicey Nice World.
Legends & Robots
by Marcelo Radulovich (2011)
Titicacaman Records CAT#03
Tiny, fiery fairies in forests tangling garlic vines, legendary musician robots gather to entertain a crowd dressed in bright hues, consumers one and all. Lights flutter as projections of falcons plummeting race by, banners read TONIGHT WE CHALLENGE. Each attendant receives a bunny book at the entrance, a program adorned with erotic imagery depicting Alaskan drama, mating swimming clam diggers, lifesavers, sporting t-shirts reading Paris A Fortunate! Page 2 explains the goal, and why the underground....
Dear Annex
by Marcelo Radulovich (2011)
Titicacaman Records CAT#01
10 sunny songs + one sprightly remix, bright and deep in melody and form covering a wide range of styles and tone. Dear Annex is a musical trip to a land where dada funk and bubble gum chew in rhythm to dance mixes as poetry flexes and horns blare, setting a mood surreal yet satisfyingly familiar: pop and funk and rock sensibilities at the root.
Mr. Radulovich, working at Titicacaman Studio, acts as writer, multi-instrumentalist, producer and engineer, juggling tasks like a happy kid with legos. 5 of the 10 songs in Dear Annex feature lyrics by Neil Carlill (Delicatessen, Chicanery and Marcelo's partner in Me Me the Moth); 3 tracks feature guitar and piano by Mike Keneally (Zappa, Dethklok); trumpet, percussion and vocals by Chris Conner (Channing Cope, Bantam Feather); trombone by Michael Dessen (Cosmologic); theremin by Jim Call (The Penetrators, Zirk Ubu and Marcelo's band mate in Nicey Nice World); turntables by DJ Tenshun and a ghostly appearance by Bill Ray on drums. Dear Annex is Marcelo's 11th solo album and perhaps his finest work yet.
Summer in Winter
by Marcelo Radulovich (2010)
Titicacaman Records CAT#02
Blocks of centuries frozen, clowns in smoky bars, a skinny kid and cantankerous Chuck at the senator's ball, green bears on soda cans and frolicking nuns of a new convent, such is the lyric stream in Marcelo's album titled Summer in Winter, 12 songs about a feverish, blundering time, full of anticipation and expectations. Produced and recorded at his home studio between October and December of 2008, at the peak of the USA presidential elections, Summer in Winter picks up where Vertigo at Lunchtime (produced earlier in 2008) left off. The feel again points up, the mood is warm, the songs are short, rhythmic, melodious and lyrically vibrant. As common to Marcelo's production approach, he sings all the vocal parts and plays all the instruments, referencing years of experimenting with sound, soul, rock, ambient, crackling vinyl.... Summer in Winter is filled with creative ideas and entrancing sounds, a very original music that reaches out with positive vibes and multi-cultural painterly jangle.